Character growth
is the definitive backbone of Friendship is Magic. Even the action-oriented
two-parters at the tail ends of a season sport massive growth in Twilight, the
mane six, and their relationships that binds the show together, Canterlot
Wedding not really withstanding (Seriously, “trust your instincts”? We all know
the whole point of the season two finale was to unlock Twilight’s true form of
Pinkie’s magic-mini gun).
Anyway, what the
hay is this rant going to be about anyway? With MLP’s incredibly tight focus on
slice-of-life character building and a healthy fifty-nine episodes under its
belt, I fear one thing: a dead end to characters. How do the writers plan to
backtrack and can they do it effectively? I guess we’ll see…
Head past the
break for pony talk.
I believe that
all characters ever in existence have a finite amount of development available
to them before their stories become redundant and tired. It’s only a matter of
time before readers/watchers/players become jaded with a character’s tales.
Now, hopefully the original writers have some half-decent foresight and create
plenty of three-dimensional puppets for their universe. And I’m not talking
about those cheap CG movie tie-ins Nickelodeon pumps out with 3D models, I mean
real, rich characters. But wait, this is MLP we’re talking about, of course
with Lauren at the helm that was a non-issue.
…or is it?
Insane by *Werewolf883 |
These events, at
their core, are personality shifts. Pinkie Pie turning from a happy-go-lucky
party pony to a dark and pessimistic party pooper, Twilight loving books and
knowledge to loving to absolute control over the town so she could be on time. All
in all, these moments are a little strange and possibly non-sequitor. I mean, I
guess they make sense, but it all begs the question: is this the true style of
the show or do the writers feel like their characters are backed into a corner
sometimes?
If you look at
it from a different perspective, implemented insanity and personality shifts
are really useful tools for pumping out a story for a character. If the
character in its previous state is at the pinnacle of its development, why not
shoe-horn some foreign interpretation of the character in order to extend their
life and relevance to the media. On the surface, the story can look exciting
and new, but upon taking an in-depth look it often appears to be a bit of back
tracking and non-sensical story telling.
Probably the most iconic moments of the show...and awesome. Insane Pinkie Pie by ~strabArybrick |
All in all, this
is something to think about for the future of ponies, not really something that
I’m actively commenting on. I often think Fluttershy is limited as a character,
but then take a look at how many situations her timidness is applied to and
realize how many situations are still left up to be explored. Equestria is a
big place, and having such talent with pen and paper I don’t exactly fear the
writers will run out of room for their characters to grow…not that it could
never happen. Here’s hoping to that never happening.